Western Painting - The Movement in Western Art - Lyrical Abstraction

History

Lyrical Abstraction refers to Post-war Modernist term, often used interchangeably with Art Informel and Abstract Expressionism that grew in Europe, precisely in France, in 1945 and lasted up to around late 1957. In 1946, a French art critic Charles Estienne formally coined the term 'Lyrical Abstraction.' In America,this Abstraction was a movement described by Larry Aldrich in 1969. The name 'Tachisme' was also used to depict this movement.

o European Lyrical Abstraction: When, post World War II, France was busy resurrecting its image
devastated due to collaboration and occupation, some art lovers decided to restore the position of Paris as art hub as well, as it was, until the World War. Bringing plan to action, several exhibitions were held in Paris. George Mathieu's two exhibitions "Abstraction Lyrique" in Paris in 1947, and when Francis Picabia, Francis Stahly sculptor, Georges Mathieu, Michel Tapié, and Camille Bryen, Wols, Hans Hartung, and Riopelle in 1948, delivered some remarkable trends on canvas. While George's works clearly demarcated the gap separating 'cold' Geometric Abstraction from the 'hot' organic Lyrical type of Abstraction, Wols' paintings had the influence of French Surrealists, such as the meticulous and prolific graphic work. Hartung's paintings were focused on hatching, streaking, & brushing, and Hartung's canvas was full of deletions. Riopelle's paintings on the other hand, were freestyle, with no fixed concept or ideas.

o American Lyrical Abstraction: Tachisme marked the American landscape during 1960s-70s at New York City, Los Angeles, Washington, DC, and then Toronto and London. Spanning from Minimalism to Abstract Expressionism, Color Field Painting, and Tachisme, Lyrical Abstraction featured loose strokes, spontaneous expression, illusionist space, acrylic staining, process, occasional imagery, and other unique and novel painting techniques.This Form of Abstraction was all about boundless expressionism. Minimalists, Pop Artists, Formalists, and Geometric Abstractionists of 1960s were the key genre of the painters, who shifted to Lyrical Abstraction. Experimental, expressive, loose, pictorial, painterly, and abstraction were the key features of Tachisme.

The Correlation

Lyrical Abstraction resembles Abstract Expressionism and Color field painting, especially in the free usage of paints, exterior, and texture, resulting in similarly brushed, sprayed, stained, poured, splashed, and squeezed colors. Lyrical Abstraction was unique from the other painting styles of forties and fifties, because of its tilt towards composition and drama. Lyrical Abstraction is remarkably identified with compositional randomness, low key, peaceful compositional drama, and repetition.

Unfortunately, America accepted the term Tachisme quite late. However in 1989, the late Daniel Robbins, Union College Art History professor recognized the term and stressed that the term should be used, as it had a historical credibility.

Lyrical Abstractionists & Works: Some of the famous Lyrical Abstractionists were James Brooks, Helen Frankenthaler (Mountains and Sea - 1952), Albert Bitran (b. 1931), Arshile Gorky, Pat Lipsky (Spiked Red - 1970), Adolph Gottlieb, Robert Motherwell, John Seery (East - 1973), Kenzo Okada, Mark Rothko, Joan Mitchell, Norman Bluhm, John Levee, Ray Parker, Paul Jenkins, Cleve Gray, Jack Bush.

Annette Labedzki received her BFA at the Emily Carr College of Art and Design in Vancouver, B.C. Canada. She has more than 25 years experience. She is the founder and developer of an online art gallery featuring original art from all over the world. It is a great site for art collectors to buy original art. Is is also a venue for artists to display and sell their art . Artists can join for free and their image upload is unlimited. Please visit the website at http://www.Labedzki-Art.com

Annette has bonus offers on her work only. Buy 2 paintings of any size and receive 1 painting of your choice for free of equal size and value. SHIPPING IS FREE IN CANADA AND US ON SMALLER ITEMS Please feel free to subscribe to her newsletter at http://www.Labedzki-Art.com

austin bal transfer motorcycle lawyers

Western Art - Modular Constructivism - A Structured Style of Sculpturing

Modular Constructivism - The Concept
Dating back to over 5000 years, the history of Western Art has a colorful background. Right from the Prehistoric Period to the present generation, the Western artists, especially in Europe and Russia, have managed to spread and popularize their much-loved art form. Considered an invention of the 19th century Russian artists, Modular Constructivism, a style of sculpture, emerged during the 1950s-60s, which gained considerable popularity. This Western Art genre gained a new status against the other art forms, like Post Modernism and Pop Art. Modular Constructivism is all about intricate, multidimensional designs, complex, fluid curves, and structured patterns, often repetitive in style, representing the pattern of continuity in life and its myriad forms.

The Details
Constructive Paintings portray concrete forms and ideas. They are quite different from Abstract Fine Art forms and paintings. Constructivism rather conveys the mechanized side of everyday human life. It mainly relied on the active creation of our knowledge, experience, and understanding. The convex and concave aspects of biomorphic forms facilitating self-combination are the vital elements of this art form. The fundamental applies to plane and multidimensional surfaces, both. Flavored with Formalism and Minimalism, Modular Constructivism stood as a crucial pillar of sculpturing. Modular Constructivist works can be carried out on any material, cement, brass, steel, or plaster.

The Artists & the Artworks
American sculptors Norman Carlberg (1924) and Erwin Hauer (1926) were renowned artists who popularized Modular Constructivism during the 19th century. They are even called the fathers of the genre. Many priceless and genuine art creations by the famous Russian proponents of Modular Constructivism, such as Vladimir Tatlin (1885-1953) and Alexander Rodcheckno (1891-1956) can be viewed at art museums around the world. The 'Light Diffusing Wall Design' by Erwin Hauer, is an intricate design creation at Liesing Vienna in Austria. The enthusiastic works of Erwin Hauer encouraged many of his students and colleagues towards the new Modular Constructivism trend. Norman Carlberg's key works in the genre include a modular screen at the lobby of Baltimore City Hospital and a huge modular column at the Northern Parkway Junior High School.

Conclusion
As Erwin Hauer said, "Continuity and potential infinity have been at the very center of my sculpture from early on," Norman uttered, "you analyzed, you looked at something, but you looked at it formally just for what it was and the message was almost always out of it." The theory of Modular Constructivism relies on the realistic features of observatory powers and scientific studies. Nevertheless, this unique art form also had its share of controversies and disputes!

Annette Labedzki received her BFA at the Emily Carr College of Art and Design in Vancouver, B.C. Canada. She has more than 25 years experience. She is the founder and developer of an online art gallery featuring original art from all over the world. Please visit the website at http://www.Labedzki-Art.com It is a great site for art collectors to buy original art. Artists can join for free and their image upload is unlimited.

aircraft financing